Some of my friends have encountered people who have dedicated themselves to a spiritual lifestyle. After meeting them they have noted that they often seem the opposite of spiritual. These would be spiritualists are stressed, frustrated, insensitive, etc… “How is this possible?” they ask me.
This unfortunate but all too often observable contradiction is because people often go towards spiritual life as a refuge from life’s confrontation rather than a place to confront their lives’ refuse. Consequently the people you meet at yoga retreats, ashrams, spiritual conventions, and the like tend to have the same personality or similar characteristics they had before they took up spiritualism.
Our personalities are deeply structured emblems of our heart (shakti) and our history (karma). Personalities tend to change very little over lifetimes. This is partly because significant change requires soul age, which is the resilience that comes from many lives in a human form, what I call heart.
Mike Leigh’s new film, Happy Go Lucky is a study of personalities and soul age. His principle character is Poppy, a resiliently souled optimist, who is determined to keep a sense of joy and wonder about her. Her nemesis is an immature souled, paranoid, racist, victim of a institutional standards – who has now found a minute sense of control as a driving instructor. The other characters in the movie serve as marvelous foils to Poppy’s irrepressible good nature. The most interesting of which was a schizophrenic homeless man with the countenance of mature soul who has somehow been left behind, i.e. the right heart, wrong history.
But the most interesting part of the film was its total lack of anything remotely cinematic (at least by Hollywood standards.) The events and people portrayed were events and people of everyday life. The story was about as provocative as oatmeal. But as I have said, many times before, it is not the story, but how you tell it. Happy-Go-Lucky is a story well told.
As you allow Poppy’s very mundane life to unfold in front of you have a chance to explore the multihued fabric of Poppy’s world. While Poppy’s almost preternatural optimism carries her a great way we are able to see its limits and even its down side. For example, we have to ask ourselves, was she at least partially responsible for the driving instructor’s breakdown? Did she, in her over exuberance and insouciance, fail to assess the dark and tormented man’s emotional frailty? She had entered in to his phallic realm (the car) the one place he felt he had dominion and she unseated him completely. Yes, we saw her effort to peer into his troubled past, but did she go far enough to see the impact she was having on him. This is the responsibility of the more mature soul, and an important lesson of the movie. A lesson Poppy learns the hard way.
There is much to be mined from this delight of a movie. This includes an insight into the question of what does it take to be a good person? And, is it more than just a sunny disposition? (This does seem a good place to start.) It also takes a willingness to look into the soul’s of others and see what is it that they need. And that can be hard work, but hey, happiness is hard work.
Recommendation: If you are a fan of Mike Leigh, or if you like thoughtfully paced cinema, then you you will like this.